Analysis of Mona Lisa, a representation done in the 16th century







Mona Lisa is a representation done in the 16th-century. The representation is made by oil. It was established by a well known popular artist called Leonardo Da Vinci in the Renaissance era. The exertion is presently possessed by the France administration, in addition to, being on exhibit at the Louvre museum. The museum is in Paris and has the designation of Lisa Gherardini Portrait. Primarily, it is the mainly celebrated and iconic work of art in the planet.

The work of art is a half-length visual rendering painting and portrays a female whose facial appearance is regularly portrayed as mysterious. Other people suppose that the minor smile is a suggestion that the subject matter or rather the female is concealing a something. The vagueness of the woman’s look, the monumentality of the masterpiece, in addition to, the delicate modeling of outlines and distinctive illusionism were original features that have added to the ongoing appeal and research of the painting.

The artist tailored the formula though; generating a sense of aloofness amid the sitter and viewer, typically exploiting the arm chair on top of which she sits. Nevertheless, her eyes mutely meet the stare of the viewer, drawing the watcher into her eye perspective. Everything adjacent to her face is shady, portraying that much additional center to the brightness of her face, in addition to, the magnetism it gives.

The general effect is a sort of natural pull to her, pinched in by her look, but it instantaneously compares with the space Leonardo generates amid subject and viewer. The scenery of this work of art has long been depicted as the initial example of representation on scenery. Seated in the middle of an open lanai with what seems to be columns on whichever side of the female, epic scenery elongates out in the course of an icy mountain array. This denotes that the work of art is in a striking dream (Mona Lisa, 2006).


Mona Lisa. (2006). Inside the Painting. New York: Abrams.